No title, 2003

Jerry N. Uelsmann is an American photographer, born in Michigan. At the age of fourteen while attending a public school, he developed a curiosity for photography. He assumed that photography will allow him to live a world seen through the camera lens. Although his grades were poor, he still found some jobs and that too related to photographing models. Later on, he received a Bachelor of Arts degree from the Rochester Institute of Technology and masters degree from Indiana University. In 1960, he started to teach photography to students at University of Florida. His first solo show took place at Museum of Modern Art. Uelsmann produces amalgamated photographs along with several negatives as well as extensive work in the darkroom. His negatives recur in his work as either a background or focal point. Just like O.G. Rejlander, it is felt by Uelsmann that the final image can be composed of more than one negative. Uelsmann, in the twentieth century didn’t care about anything but to represent his imagination to his viewers and felt that photomontage was a channel to disseminate his thoughts and ideas in a better way. Today, photographers can create the same effect as Uelsmann did in a few hours using softwares and a digital camera. However, at that time, he was noted for his miraculous skills of using analog techniques to create something unbelievable. Jerry N Uelsmann’s modern mindset helped to expand the boundaries of art in photography. Although a range of digital tools are available, Uelsmann feels that his traditional approach towards photography is intrinsically connected to the darkroom alchemy. His pictures don’t depict any specific place, in fact they make the viewer capable of seeing multiple frames and transcend into a journey through the deepness of his artworks. They play with big and vague ideas, so much so that Uelsmann’s work does not leave any space for accurate interpretation. The artist feels that he touches his spectators personally by creating something unimaginable, surreal and abstract at the same time. His work is usually in monochrome with a range of mid-tones and gray complements. Uelsmann contrasts artificial with organic and usually uses several focal points.